Gilt-Lacquered Wood Figure of a Bodhisattva
China, Kangxi Period (1662–1722)
Height: 45 cm
Gilt-Lacquered Wood Figure of a Bodhisattva. This serene and finely crafted figure represents a bodhisattva, most likely Avalokiteshvara (Guanyin), a revered deity of compassion in Mahayana Buddhism. The statue is carved from wood and retains much of its original gilt lacquer, displaying a lustrous golden surface that accentuates the flowing lines of the robe and the calm, meditative expression of the figure.
The bodhisattva is depicted standing in a graceful pose, with the right hand raised in the vitarka mudra (gesture of teaching and discussion) and the left hand lowered in varada mudra (gesture of bestowal), signifying wisdom and compassion. The robes cascade in elegant, rhythmic folds, suggesting both movement and spiritual grace, while the ornamental chest decoration and high chignon are typical of representations from the Kangxi period.
Characteristic of the late Ming to early Qing transition in style, this sculpture reflects both technical sophistication and religious devotion. It would have likely been placed in a temple or private shrine for veneration.
Discover a rare and beautifully preserved Kangxi period Buddha statue from 17th-18th century China, a remarkable example of Qing dynasty religious artistry. Standing at 45 cm tall, this gilt-lacquered wood figure likely represents Guanyin, the Bodhisattva of Compassion—one of the most venerated figures in East Asian Buddhism.
This serene sculpture is carved with great finesse, showcasing the hallmarks of Kangxi-era craftsmanship (1662–1722). The figure stands in a poised and graceful posture, with the right hand raised in the vitarka mudra (gesture of teaching) and the left hand extended in the varada mudra (gesture of generosity). The flowing drapery and intricate ornamentation speak to the sophistication of Qing-era Buddhist statuary.
The rich gilt lacquer finish has aged beautifully, giving the piece both spiritual presence and aesthetic warmth. Such figures were often housed in temples or private shrines, used for daily devotional practices or ritual offerings.
Adding historical value, the underside of the statue features remnants of an early 20th-century European collector’s label. These labels were commonly used by private collectors and art institutions to catalog their holdings. This particular piece may have been part of a significant private collection, and such provenance can be vital for collectors, historians, and museums. Labels like these are discussed in detail in resources like Christie’s guide to provenance and The British Museum’s Collection Database.
This Kangxi gilt wood Buddha is more than an object of beauty; it is a bridge to a rich historical and cultural legacy. For collectors of Chinese antiques, students of Buddhist art, or curators seeking a standout piece, this statue offers deep authenticity and exceptional artistry.
For more information on Chinese Buddhist sculpture, visit the Metropolitan Museum of Art’s Buddhist Art Collection.
