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Qing Dynasty Chinese Paintings
P R O V E N A N C E: Important private collection – Paris, France
Dimensions: 32 x 43 cm (12 3/4 x 17 in.)
Qing Dynasty, China
TWO PAINTINGS IN INK AND COLOUR ON SILK, FRAMED UNDER GLASS, CHINA
Qing Dynasty Chinese Paintings, the first decorated with two women in a wooded and rocky landscape, the second of a woman sitting at a table, occupied in calligraphy and her maid in a courtyard garden with banana and rocks.
¹ In 1644, the Manchus, a semi-nomadic people from northeast of the Great Wall, conquered the crumbling Ming state and established their own Qing (or Pure) dynasty, which lasted nearly 300 years. During the first half of this period, the Manchus extended their rule over a vast empire that grew to encompass new territories in Central Asia, Tibet, and Siberia. The Manchus also established their hegemony over Chinese cultural traditions as an important means of demonstrating their legitimacy as Confucian-style rulers.
The court became a leading patron in the arts as China enjoyed an extended period of political stability and economic prosperity.
The brilliant reigns of the Kangxi (r. 1662–1722) and Qianlong (r. 1736–95) emperors display a period when the Manchus embraced Chinese cultural traditions and the court became a leading patron in the arts as China enjoyed an extended period of political stability and economic prosperity.
Three principal groups of artists were working during the Qing: the traditionalists, who sought to revitalize painting through the creative reinterpretation of past models; the individualists, who practiced a deeply personal form of art that often carried a strong message of political protest; and the courtiers, the officials, and the professional artists who served at the Manchu court.
¹ Maxwell K. Hearn
Department of Asian Art, The Metropolitan Museum of Art
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